Biomutant: Here’s Why the Developers Have Been Quiet for So Long
After an extended period of being almost silent, developer Experiment 101 recently announced a May release date for Biomutant, its long-awaited open-world action game. That silence was for good reason – studio head Stefan Lvungqvist tells us that parts of the game have become bigger and more complex, but with only 20 people to make all that extra work happen. Rather than ship a buggy game, Lvungqvist says Experiment 101 has been taking its time to quietly build a truly finished product.
“It’s a big game, a big bite for 20 people to chew off,” says Lvungqvist. While Biomutant’s map may be just eight square kilometers, it’s packed with warring tribes, conquerable outposts, strange creatures to fight, and a protagonist who can mutate into new forms to overcome obstacles. As we’ve said before, Biomutant looks bananas, and it’s many moving parts are a challenge for the studio behind them.
That 20-person team, established by ex-Avalanche Studios employees, is determined to stay small. But while that helps keep the studio nimble, it also imposes some restrictions. “At the end of the project, there’s only a certain amount of bugs that you can physically fix during the course of the day,” says Lvungqvist. And that’s what much of Biomutant’s last year of development has been: bug squashing.
“It’s been a huge amount of work for QA, because it’s not easy in an open-world game to find them,” explains Lvungqvist. “And then once they’ve been found, we have to fix them, and that’s put some additional challenge on us, being a small team.”
Lvungqvist is realistic about being able to ship Biomutant completely bug free – a game with so many systems in its sandbox world is difficult to deliver without the odd problem – but he wants it to arrive in players’ hands as solid as possible. “Any game is going to ship with [smaller] bugs, but I’m talking about bugs that are truly disruptive to the game experience,” he says. “We don’t want to ship with that. I think that’s what caused us to just wait until we were ready to do it.”
Quality assurance isn’t the only thing that’s been happening at Experiment 101 over the last year, though. Biomutant has, well, mutated in that period, too. “If you look at the script, by the end of 2019 I think it was about 80-85,000 words. Pretty much a novel,” recalls Lvungqvist. “But in the final game, it’s closer to 250,000 words. That was a big thing, to wrap that script.”
Those new words are scattered across many different areas of the game, which in turn has demanded further development work on those features. Lvungqvist notes that, as a result of the expanded script, players can expect a reactive karma system called Aura, which will change NPC dialogue based on your light or dark allegiance. There’s also a better tutorial system, which more effectively communicates Biomutant’s overflowing toy box of ideas. On top of the additional script forming the basis of these features, the game will be available in 13 different languages, 10 of which are fully voiced, and so localisation is required on all those added words. It’s safe to say it’s been a busy year for Experiment 101.
Lvungqvist has been careful to pace the studio, though. “I’ve been doing this for quite some time,” he says, referring to his almost decade-long tenure at Avalanche Studios. “I myself was burned out. I learned a lot on those themes, on those subjects. I learned to recognize it.” This goes some way to explain the studio’s ‘ready when it’s done’ approach, and lack of constant public updates. It’s an approach that has been supported by publisher THQ Nordic, Lvungqvist says, at a level he’s “never had before”.
The lack of pressure from THQ Nordic to ship Biomutant has been a blessing, as the negative outcome of crunch would be destructive to both individual staff and the studio overall, Lvungqvist explains. “I mean, the studio, we are 20 people and we can’t afford to have [staff] leave the studio, or be destroyed during development. That would be devastating.”
“For certain pushes, you might do it in a limited form,” he acknowledges. “But the most important thing is you get paid, which is not common in our industry, crazily enough. And also you get ‘recap time’, because you have to have rest. If you’re just doing this constantly for 12-14 hours a day, you will eventually have to pay for it.”
“I think it’s part of the DNA of the studio to not do it,” he concludes. “That’s why I think for us, if we do it, it’s controlled, and it has been rare. I guess now moving into the release, we’re prepared to do it for some days, but it’s not the constant thing. It will kill you.”
With the announcement of the May 25 release date, some fans may have been surprised to see that PlayStation 5 and Xbox Series X are not listed as platforms that Biomutant will launch on. It is, afterall, easy to assume Experiment 101’s silence and the continued development was due to the team preparing Biomutant for next-generation systems. Lvungqvist confirms this is not the case – Biomutant is a ‘last-gen’ game – but there’s good reason for that.
“When we developed the game, we lead on the last-gen,” says Lvungqvist. “And if you look at it from a development perspective, that’s really important because it’s easier to scale up than to scale down.”
“I think for us, as a team, we would like as many as possible to be able to play the game,” he adds, noting the currently small install bases for PS5 and Xbox Series consoles. “So, if we just release it for ‘next-gen’, I think that would not have been a good way forward.”
Despite this, Biomutant still takes advantage of high-spec hardware. “There is a high-end version of Biomutant already made for PC high-end versions,” Lvungqvist says. “I mean, the game already in some form exists in what you would expect on the current-gen platforms.”
“Are you going to be able to play it on those consoles?” he asks himself of the PS5 and Xbox Series X, teasing the future of Biomutant. “Definitely. We will see moving forward what’s going to happen, but you will definitely be able to play it on those consoles.”
Matt Purslow is IGN’s UK News and Entertainment Writer.